Media (of the People, by the People) for the People

I just watched an old movie popular in the thirties—the William Powell/Myrna Loy version of Dashiel Hammett’s The Thin Man, which later became a television series starring Peter Lawford. My mom and dad often mentioned how entranced they once were by this movie and its follow-ons, how they idealized these suave young couples. They also often talked about Kate Hepburn and Bing Crosby in their respective versions of The Philadelphia Story and High Society.

 

Watching these old movies today, I am once again astonished at the power of the media to impact culture. Rightly or wrongly, these movies glamourized and legitimized—no, actually promoted—social choices considered quite extreme at the time (divorce, choosing a spouse without regard for family opinion, frequent at-home and social drinking of alcohol, associations with people from different classes and values systems, smoking….) 

 

They influenced many young moderns (my parents among them) to eagerly embrace their advocated lifestyles, for better or for worse. I know that my parents found the courage to take such counter-cultural steps from the illusory weight and seeming solidity of the airy fantasies presented in these and similar movies, although I also know that both of them had been well-inculcated from very early on with every reasonable argument against such decisions. Their children (me included) were further influenced by their defensive insistence on the reasonableness and superiority of their choices.

 

How much more are today’s young people influenced by their day-long forced feeding of heavily-marketed television (both programming and commercials,) music, books, games, magazines, movies, consumer goods, etc? The only thing that surprises me at all anymore is that we still recognize our children as “ours,” considering they live in a completely “other” world than ours, a brave new world of tomorrow which, as Kahlil Gibran said, “we cannot visit, not even in our dreams.”

 

All Americans profit when our children grow up in strong families to be good, responsible adults. And we all suffer—and pay—when our youth make poor choices. Nevertheless, we let our public airwaves run amok in their promotion of unhealthy attitudes and lifestyles, while we barely scratch the surface of their potential to promote wise choices.

 

On one sad level, Americans today are relegated to living in the land of the free-to-make-a-buck and the home of the brave-but-stupid, which is too bad, because I don’t remember voting for any such peculiarly modern-American mantra.

 

When we-the-people finally get around to taking our politics and government(s) back out of the hands of big money, I’m confident we’ll find excellent ways to tap into using all the public airwaves for the common good.

 

The Iranian movie industry, currently severely constrained by their reigning theocracy to produce only non-violent, non-sexual movies, has responded with a lovely array of internationally recognized award-winning values- and family-based films which are  poignant, gripping, and thought-provoking. Someday, a responsive and representative government of, by, and for the American people will surely find ways to preserve our most-cherished freedoms, while supporting visionary media output that promotes the great diversity of healthful and positive values, lifestyles, and choices.

 

Please send comments to epharmon@adelphia.net

 

 

 

 

 

The Weather Changes But We Don't

My father's delightful response to thunder-and-lightning storms and big windstorms was to pour himself a drink, pull a chair up to the window, and watch all the excitement of nature's beautiful fury! My mom always told me to look for the good and beautiful in weather, because you can't do anything about it anyway, so why let it spoil your day?

My husband (a runner) responds to the wind and cold and snow and ice (which used to keep me indoors on such days) by dressing properly so he's never cold; he's taught me how to run every day and not be cold either. (I draw the line at biking below 50 degrees, however!) 

Having lived in Texas for many years, I resist sameness in weather; I want different weather every day, which is what I get living in Maryland. The weather in Wisconsin, Texas, and even San Diego and Hawaii wasn't varied enough for my picky tastes, but many people love those places…. Give me four distinct seasons! Even the kinds of snowy, windy, rainy, warm, cloudy…days in Maryland are each different.

People who don't like to sweat, or who don't sweat often, usually have a hard time with warm temperatures, whether inside or out. A good cure for broadening one's comfort range in temperatures is to exercise/sweat often; sweating gets your cooling system working more effectively.

I see rain as pennies from heaven…..

I'm slowly learning to accept that people's reactions to weather are learned pretty early, and are hard to change, like deep-seated childhood fears, and try to remember that many people are ill, and “bad” weather makes their life that much more burdensome. My goal is to reprogram myself to enjoy all weather and temperatures as much as possible…. 

I hope this comic strip reinforces how important perspective is. We can see the good or the bad–because our minds will put whichever one we tell them to, “out there.” That different people enjoy and dislike so many different things about weather is proof of the importance of attitude….  Weather is one of those “what is” things we can't control, so it seems a waste of time and energy to expend negative energy on it. Good and bad weather is much more about how we are than about what the weather is…. I hope everyone enjoys today's beautiful snow!

Please send comments to epharmon@adelphia.net

 

 

 

 

 

Zzzipppiddee Doooo Daaahh….

What a difference perspective makes…. Whenever I'm feeling blue or resisting something that just “is,”  I try to remember to ask God for another way of looking at the person or situation–and I always receive what I ask for (it helps to pay attention and be ready for the answer.) I drew this comic strip soon after one of those happy moments when I'd received such an answer to a prayer. I remember feeling resentful, feeling like an old ugly lonesome drudge, about some housework I had to do, and praying, as I looked out the window, for another way of seeing my present situation. Suddenly I focused on a bird “working” for her brood, but nothing could have been more natural, beautiful, purposeful, or right than that little brown bird doing her thing for her family. Renewed with my wonderful answer to my prayer, I went back to work–this time joyfully.

Please send comments to epharmon@adelphia.net

 

 

 

 

 

(Two) Scenes We'd Like To See

(Two) Scenes We'd Like To See….

 

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Both George Bush and Osama Bin Laden are vilified in various cultures as inhuman heartless killers, while other cultures hero-worship them as charismatic and patriotic leaders whose just causes “force” them to manfully take up arms—whether by terrorism or military force—to achieve their political aims.

 

Popular media in all nations dehumanize public enemies, and often turn around and just as thoroughly and miraculously restore them to dignity and respectability during political détentes. I recall my astonishment, moral conflict, and deep embarrassment, when the evil Russians I’d been so carefully taught to indignantly and self-righteously hate and fear, magically became our homeboys overnight. The same thing happened, of course, with the “Krauts” and the “Japs,” who, just as we were assured by our government after a terrible war, turned out to be, really, just like us. I’d like to think the same thing will happen, sooner rather than later, between Islam and the West.

 

I wish these two particular men (Bush and Bin Laden) could learn to resolve their differences without violence. They remind me of unsocialized playground children, throwing sand in each others’ faces, playing with their war toys, acting like swaggering thugs and cowards in turn, always foolish and hurtful to all around them. I wish they <?xml:namespace prefix = v ns = “urn:schemas-microsoft-com:vml” />would grow up and solve their problems like civilized adults.

 

So many innocents have endured so much tragic death and destruction, on both sides, for so many years. For what…?!

 

Of course, both men have legitimate grievances which want airing and remedying…but nobody ever listens to anyone. Probably both sides were too proud or stupid or politically corrupt to listen before, and now everyone’s too mad to even think about the needs and sorrows of the other side. As the Buddha has said, “Hatred never ends through hatred. Hatred ends only through love.”

 

I do think President Bush is a patriot who means well. I also think he’s misled, misinformed, and dishonest with the American public. I think Bin Laden is also probably well-intentioned, although equally tragically violently-disposed. Both are a little crazy or they wouldn’t be acting like that.

 

Bin Laden repeatedly and clearly has stated his political aims  at every opportunity–he wants the empire-inclined U.S. out of Islam, not to return until invited, and then, only as well-behaved, courteous guests. Bin Laden certainly achieved an impressive political bang from his small PR buck (a handful of airborne terrorists, compared with our $500 billion spent in military retaliation) considering that his goal was to force the U.S. public to become informed about and reconsider its Middle East policies. But neither “price” begins to describe the total costs to both sides. There has to be a better way to resolve conflict….

 

I’m not exactly sure what President Bush has accomplished, his recent clumsy conversion to nation-building notwithstanding. Indeed he loves democracy and freedom, but he struggles with complexity (please read my other blogs on this and other related subjects at www.epharmony.com ….) Both men should have tried to understand one another’s culture before they started knocking heads and throwing weight around. For the future, we need to legislate some mechanisms that insure that seasoned statesmen and other experts inform and influence the foreign policy decisions of presidents and other popular politicians.

 

Can you imagine what all that wasted money might have bought, on both sides, if it had instead been earmarked for cherished goals dear to the hearts of citizens of Iraq, Afghanistan and the United States?

 

I hate politics.

 

Historians get to write the history books, so tend to salute bloody victors as heroes, while labeling bloody losers “crazed maniacs.” But shouldn’t we all be past all of that now? For goodness sake, it’s the 21st century and we should all know better by now. There are so much better ways to achieve political goals and solve differences than through violence. It’s time to put away childish things.

 

Mad Magazine's section called “Scenes We’d Like To See” inspired the frame of this satire. Although it is unlikely that these two particular men will overcome their personal and political differences and lead their followers to peace, it would sure be nice if they did. Someday, somebody will, you know. The only question is, how long will it take? And how many more ruined lives will it cost, on both sides, before that day comes?

 

Somehow we must get testosterone out of politics.

 

Only peaceful dialogue and patient listening can bring East and West together in mutual understanding, appreciation, and support.

 

Kipling’s “The Ballad of East and West” was a childhood favorite of mine. I first envisioned a satirical retelling of this poem set in the wild mountains bordering Pakistan, Afghanistan, and India, substituting Bush for the Colonel’s son and Bin Laden for Kamal, the Border Thief, letting these two silly, self-important, reckless, macho guys go at it, chasing each other “up and over the tongue of Jagai as blown dustdevils go…” until Bush’s horse falls “at a watercourse, in a woful heap fell he, and (Bin Laden) has turned the red mare back and pulled the rider free.”

 

He has knocked the pistol out of his hand–small room was there to strive

“‘Twas only be favor of mine,” quoth he, “ye rode so long alive:

There was not a rock for twenty mile, there was not a clump of tree

But covered a man of my own men, with his rifle cocked on his knee….”

 

 (But… no. I’ll let you read the original yourself, reprinted below.)

 

I decided, instead, to play with the idea of these two men generously agreeing to a campout retreat at Bush’s beloved ranch. One can always dream. I’ve always been deeply moved by the final courage evidenced by the Colonel’s son and Kamal, the Border Thief, in pledging to respect one another’s strengths and common humanity.

 

I didn’t mean to pick on the New York Times or AlJazeera, both wonderful, principled  newspapers; their names were just convenient symbols for media-in-general, and I apologize if this satire unintentionally insulted them.

 

I also abused the current popularity of Brokeback Mountain to make my political points. However, while I’m sure that a week of roughing it alone/together in the mountains would create dialogue, understanding, and maybe even camaraderie between these two men, I’m confident that they’re both firmly and happily set, by now, in their hetero ways. Although, to be sure, nothing surprises me anymore. Maybe someday we really will see these two happily mountain biking together in Afghanistan. As I said, nothing ever surprises me anymore.

 

You may call me a dreamer, but I’m not the only one….

 

Only deeply spiritual leadership can unify the planet’s five polarized cultures—Africans, South Americans, China, the Muslim world, and the West. Only idealistic leadership can inspire each of these cultures to achieve its own unique ideals, hopes, and dreams, while respecting and supporting the quality of human life everywhere. Only non-violent leadership can address the century’s most urgent problems—the ravages of disease, injustice, hopelessness, greed, hunger, environmental degradation, natural disasters, ignorance, addiction, prejudice, nuclear proliferation, crime, poverty, war, terrorism, and yes, violence, itself.

 

Reprinted below, as I promised, is the lovely original Rudyard Kipling adventure ballad….

 

 

The Ballad of East and West

By Rudyard Kipling

 

 

Oh, East is East, and West is West, and never the twain shall meet,

Till Earth and Sky stand presently at God's great Judgment Seat;

But there is neither East nor West, Border, nor Breed, nor Birth,

When two strong men stand face to face,

tho' they come from the ends of the earth!

 

Kamal is out with twenty men to raise the Border-side,

And he has lifted the Colonel's mare that is the Colonel's pride:

He has lifted her out of the stable-door between the dawn and the day,

And turned the calkins upon her feet, and ridden her far away.

Then up and spoke the Colonel's son that led a troop of the Guides:

“Is there never a man of all my men can say where Kamal hides?”

Then up and spoke Mahommed Khan, the son of the Ressaldar:

“If ye know the track of the morning-mist, ye know where his pickets are.

At dusk he harries the Abazai—at dawn he is into Bonair,

But he must go by Fort Bukloh to his own place to fare,

So if ye gallop to Fort Bukloh as fast as a bird can fly,

By the favour of God ye may cut him off ere he win to the Tongue of Jagai.

But if he be past the Tongue of Jagai, right swiftly turn ye then,

For the length and the breadth of that grisly plain is sown with Kamal's men.

There is rock to the left, and rock to the right, and low lean thorn between,

And ye may hear a breech-bolt snick where never a man is seen.”

The Colonel's son has taken a horse, and a raw rough dun was he,

With the mouth of a bell and the heart of Hell

and the head of the gallows-tree.

The Colonel's son to the Fort has won, they bid him stay to eat—

Who rides at the tail of a Border thief, he sits not long at his meat.

He 's up and away from Fort Bukloh as fast as he can fly,

Till he was aware of his father's mare in the gut of the Tongue of Jagai,

Till he was aware of his father's mare with Kamal upon her back,

And when he could spy the white of her eye, he made the pistol crack.

He has fired once, he has fired twice, but the whistling ball went wide.

“Ye shoot like a soldier,” Kamal said. “Show now if ye can ride.”

It 's up and over the Tongue of Jagai, as blown dustdevils go,

The dun he fled like a stag of ten, but the mare like a barren doe.

The dun he leaned against the bit and slugged his head above,

But the red mare played with the snaffle-bars, as a maiden plays with a glove.

There was rock to the left and rock to the right, and low lean thorn between,

And thrice he heard a breech-bolt snick tho' never a man was seen.

They have ridden the low moon out of the sky, their hoofs drum up the dawn,

The dun he went like a wounded bull, but the mare like a new-roused fawn.

The dun he fell at a water-course—in a woful heap fell he,

And Kamal has turned the red mare back, and pulled the rider free.

He has knocked the pistol out of his hand—small room was there to strive,

“'Twas only by favour of mine,” quoth he, “ye rode so long alive:

There was not a rock for twenty mile, there was not a clump of tree,

But covered a man of my own men with his rifle cocked on his knee.

If I had raised my bridle-hand, as I have held it low,

The little jackals that flee so fast were feasting all in a row:

If I had bowed my head on my breast, as I have held it high,

The kite that whistles above us now were gorged till she could not fly.”

Lightly answered the Colonel's son: “Do good to bird and beast,

But count who come for the broken meats before thou makest a feast.

If there should follow a thousand swords to carry my bones away,

Belike the price of a jackal's meal were more than a thief could pay.

They will feed their horse on the standing crop,

their men on the garnered grain,

The thatch of the byres will serve their fires when all the cattle are slain.

But if thou thinkest the price be fair,—thy brethren wait to sup,

The hound is kin to the jackal-spawn,—howl, dog, and call them up!

And if thou thinkest the price be high, in steer and gear and stack,

Give me my father's mare again, and I 'll fight my own way back!”

Kamal has gripped him by the hand and set him upon his feet.

“No talk shall be of dogs,” said he, “when wolf and gray wolf meet.

May I eat dirt if thou hast hurt of me in deed or breath;

What dam of lances brought thee forth to jest at the dawn with Death?”

Lightly answered the Colonel's son: “I hold by the blood of my clan:

Take up the mare for my father's gift—by God, she has carried a man!”

The red mare ran to the Colonel's son, and nuzzled against his breast;

“We be two strong men,” said Kamal then, “but she loveth the younger best.

So she shall go with a lifter's dower, my turquoise-studded rein,

My broidered saddle and saddle-cloth, and silver stirrups twain.”

The Colonel's son a pistol drew and held it muzzle-end,

“Ye have taken the one from a foe,” said he;

“will ye take the mate from a friend?”

“A gift for a gift,” said Kamal straight; “a limb for the risk of a limb.

Thy father has sent his son to me, I 'll send my son to him!”

With that he whistled his only son, that dropped from a mountain-crest—

He trod the ling like a buck in spring, and he looked like a lance in rest.

“Now here is thy master,” Kamal said, “who leads a troop of the Guides,

And thou must ride at his left side as shield on shoulder rides.

Till Death or I cut loose the tie, at camp and board and bed,

Thy life is his—thy fate it is to guard him with thy head.

So, thou must eat the White Queen's meat, and all her foes are thine,

And thou must harry thy father's hold for the peace of the Border-line,

And thou must make a trooper tough and hack thy way to power—

Belike they will raise thee to Ressaldar when I am hanged in Peshawur.”

 

They have looked each other between the eyes, and there they found no fault,

They have taken the Oath of the Brother-in-Blood on leavened bread and salt:

They have taken the Oath of the Brother-in-Blood on fire and fresh-cut sod,

On the hilt and the haft of the Khyber knife, and the Wondrous Names of God.

The Colonel's son he rides the mare and Kamal's boy the dun,

And two have come back to Fort Bukloh where there went forth but one.

And when they drew to the Quarter-Guard, full twenty swords flew clear—

There was not a man but carried his feud with the blood of the mountaineer.

“Ha' done! ha' done!” said the Colonel's son.

“Put up the steel at your sides!

Last night ye had struck at a Border thief—

to-night 'tis a man of the Guides!”

 

Oh, East is East, and West is West, and never the twain shall meet,

Till Earth and Sky stand presently at God's great Judgment Seat;

But there is neither East nor West, Border, nor Breed, nor Birth,

When two strong men stand face to face,

tho' they come from the ends of the earth!

 

 

Please send comments to epharmon@adelphia.net

 

 

 

If You Love the Little Children of the World

Sing this song to the tune of “Jesus Loves the Little Children…” (or the Civil War song, “Tramp, Tramp, Tramp, the Boys Are Marching,” which is the same tune.)

 

We’re so sick of all the fighting

Sick of wars around the world

Red and yellow black and white

Stop the fighting, it’s not right

If you love the little children of the world

 

Won’t you put away your weapons

They just hurt our moms and dads

All our friends and family too

'Til we don’t know what to do

If you love the little children of the world

 

Won’t you try to solve your problems

Please take turns and share your toys

You don’t have to fuss and fight

‘Cause it hurts us most, that’s right

If you love the little children of the world

 

Let us play with other children

Go to school and sing our songs

If you let us learn and play

You’ll be glad you did, some day

If you love the little children of the world

 

Please believe in one another

Trust that others are like you

Everybody needs a hand

All together we can stand

If you love the little children of the world

 

Please remember all are brothers

Doesn’t matter where we’re from

Different people can be one

Let’s be friends with everyone

If you love the little children of the world

 

Won’t you stay at home and raise us

Don’t go marching off to war

We need help and we need care

Need to know that you’ll be there

If you love the little children of the world

 

Won’t you try to keep your temper

Doesn’t matter, wrong or right

Please be gentle, please be mild

Then you’ll never hurt a child

If you love the little children of the world

 

Hating hurts the little children

Children all around the world

Suffer day and suffer night

Stop the hating, it’s not right

If you love the little children of the world

 

If they start a war tomorrow

Please just tell them you won’t go

Please stay home and care for me

Oh how happy we will be

If you love the little children of the world

 

Never hurt another person

Even though life seems unfair

Even when your heart is blue

We’ll hold hands and see it through

If you love the little children of the world

 

Please don’t be one of the bad guys

Never let that guy be you

All the guys who blow things up

How we wish they would grow up

If you love the little children of the world

 

Please don’t ever hurt another

Sad things happen when you do

Find a way to end the fight

Find a way to make things right

If you love the little children of the world

 

Won't you please just solve your problems

Talk them over till you do

Take your time and stay up late

There’s no hurry, we can wait

If you love the little children of the world

 

Fighting only makes it harder

Try to share and share alike

There’s enough for all, it’s true

When we do what we should do

If you love the little children of the world

 

Won’t you stop all of the hurting

All the crying and the pain

Help us keep our eyes and hands

Let us live in our own lands

If you love the little children of the world

 

It’s not really so confusing

You can do it if you try

Do as you would want them to

It’s not really hard to do

If you love the little children of the world

 

Hold your ears and never listen

To the mean things people say

You don’t have to be afraid

We’re a family God has made

If you love the little children of the world

 

Help us build a world for children

All the children of the world

Build a world of peace and joy

Safe for every girl and boy

If you love the little children of the world

 

Do you have a suggestion for another verse or two? Do you have a favorite? Thanks!

 

Please send comments to epharmon@adelphia.net

 

 

 

 

 

 

 

Real Geisha, Real Women, Real Men, Real Relationships, Real Feminism

In Memoirs of a Geisha, director Rob Marshall missed out on a real opportunity to be a useful iconoclast showing the west what’s so special about geisha: why men admire and want them, what esoteric knowledge they have about pleasing men, how they work their spells….

 

Instead, Marshall played out only the same-old-same-old standard, politically-correct, puritanical view that geisha (and other sex workers) are pitiable at best and contemptible at worst, either evil manipulators or miserable powerless victims exploited heartlessly by the self-serving animals they generously called men….

 

Marshall also chose to heavily reinforce the popular delusion that no real feminist could ever, in good conscience, put herself in service to a man.

 

To be sure, Marshall provided us with beautiful, talented actresses dressed up in gorgeous geisha outfits, and acting out a poignant variety of human emotions on arresting, historically and culturally accurate sets. But none of this display showed any hint of the range of talents and social skills displayed by truly accomplished professional geisha.

 

Marshall’s vision suggests that geisha's primarily physical services emerge from a secretive, machiavellian world of women who dislike and disrespect men, and who plot together to exploit men’s weaknesses.

 

Nearly all religious and philosophical traditions, not to mention leaders in every field, teach that selfless, caring, compassionate service to others is a powerful, transformative act (the golden rule, even.) Rob Marshall could have chosen to offer a sympathetic alternative view of geisha—one less politically-correct—as a select, prosperous, accomplished group of women who like and enjoy men and feel comfortable with physical intimacy, who have mastered the arcane arts of pleasing men, and who accept the limitations and dangers of their work—women with skills, beauty, and talent who choose this line of work over other career options, among them, marriage.

 

The important, tragic and unfeminist thing about sex work is not that it provides a service, but that it usually exploits people economically, just as, say, child labor and child trafficking and porn does, or just as any other poorly paid, undervalued, and underappreciated work does. Feminists are rightly concerned about the grossly inhumane contexts in which workers with no economic options must sell their bodies into undervalued servitude—or die. Sex workers at the low end, like all other unskilled laborers, are victims of indifferent societies that first casually produce and then abandon them.

 

Feminists are legitimately concerned with women (and men) who have few or no choices because of gender discrimination, or whose particular and uniquely individually-selected gifts are rejected, devalued or unreciprocated because of gender discrimination.

 

Beyond such ravages of economic and gender exploitation, feminism has no legitimate interest in judging women’s specific choices of activities, such as, for instance, all the many possible forms of loving, or being loved by men and women. Loving men and women, including their bodies, does not necessarily imply gender exploitation or degradation or subservience, however distasteful or immoral some may judge it to be.

 

Nevertheless, even the world’s top geisha get no respect for their work from puritanical westerners, not because their work is sexist, but for the same reason that prostitution is everywhere disrespected:  prostitutes’ competitors–the many “honest women” happily ensconced within the powerful majority who believe they have a real stake in insuring that sex workers remain hidden and powerless.

 

Many modern women are completely confused about whether feminism is compatible with any kind of compassionate service (especially to men!) at all. Some women have come to wonder if service work of any kind–nursing, house cleaning, waiting tables–is unfeminist and demeaning. Many women feel constrained even within their marriages or romantic relationships, fearing that offering a life of lovingly exchanged service to a man must surely be anti-feminist—a form of caving to the enemy, of servility. 

 

When modern women do find it within themselves to offer men their friendliest services, many still wonder if there’s not something smarmy or beneath them about such offerings, even if their every hormone and natural givingness urges them ceaselessly to slather their beloved with wholehearted attention and kindness.

 

There is nothing sexist or anti-feminist about loving men (or women, for that matter)–about attracting them, pleasing them, or giving to them wholeheartedly. Loving, giving, and compassionate service of all kinds are never unworthy in themselves, although unworthy contexts involving extremes of compulsion, lack of appreciation and reciprocation truly are sexist and immoral.

 

Devoted service offered willingly and lovingly in an appreciative, reciprocal (if not tit-for-tat) context is absolutely necessary to optimal human functioning and happiness, and completely different from the kind of forced or half-hearted service in which someone’s gifts are disparaged, unreciprocated, and unappreciated.

 

Too many people nowadays overlook the fact that the very essence of a good relationship is standing in service to one another, regardless of whether that partnership is between husband and wife, mother and daughter, friends, siblings, in-laws, a CEO and her new mail clerk, young lovers…whoever.

 

Every conceivable positive relationship is based in reciprocal service. Relationships that are not about reciprocal service—however loosely defined—are not really relationships at all; they’re isolated billiard balls knocking about an empty lonely pool table universe, banging together sporadically and spectacularly in conflict and competition before resuming their separated lives.

 

The most universally prized life-enhancing romantic relationship, regardless of whether you’re a man or a woman, is one in which your dearly-beloved treats you like a king (or a princess), a goddess (or a god). Among the keys to such heavenly bliss are good-faith, wholeheartedness, appreciation, and reciprocation.

 

Because of confusion about the subtleties of feminism, modern romantic relationships evolved to become less concerned with caring, commitment, and helping one another in a challenging world, and more about cold, competitive calculations and sexual politics. Both sexes worry whether warm displays of affection will be perceived to be neediness. Both sexes fear that generous-spirited service iwill mply servitude. Both sexes exhaust themselves in endless, awkward, conflicted, back-and-forth rituals of worrying whether they’re giving more than they receive. Both sexes are all about, “you go first.” Yet both sexes are fully aware that their beloved wants a partner who is both powerful and slavishly devoted—because frankly, that’s what they want too. Many people deeply enjoy the lavish, tender, solicitous attention of an enchanting member of the opposite sex.

 

More young people of both sexes these days are giving up on what they see as the relationship game, foregoing the pain and uncertainty of modern committed relationships in great part because of their understandable confusion about the wisdom of putting themselves at service to another. I mean, if their long-dreamed-of personification of virtuous masculine/feminine perfections is ultimately unwilling to bow down, worship and serve them all their days, well really, why bother?

 

The age-old willingness of both sexes to offer their personal gifts to a single individual over a lifetime is in considerable decline, and considering the grave new shortage of available perfect partners for such paragons, may never recover.

 

Some women who would willingly offer loving service to women friends still feel historically (and often legitimately) constrained about giving to men, who thus are relegated to a very sad, under-served, second-class half of the world of often otherwise deserving, well-intentioned parents, bosses, employees, children, siblings, friends, and colleagues, which is too bad, too.

 

If feminists want more solidarity and sisterhood, they might consider offering compassionate service and empathy to exploited (or unexploited) sex workers. And while they’re doing that, they might benefit from listening to such workers’ hard-won geisha-type advice about how to please men, just as men could learn much from their gender's most supportive exemplars.

 

Most single young women today devote a large part of their earnings and their waking hours to pleasing men anyway, regardless of how feministically-conflicted they may feel about such efforts. Consider the successes of recent best-sellers offering love advice from former prostitutes….

 

It is certainly grossly sexist when women (and men) are constrained, unwilling givers to unappreciative, inequitable, unreciprocating receivers who have been deluded into thinking that such service is the rightful due of their gender.

 

Much of modern feminism is a reaction against unappreciative men who historically not only gobbled up all the good jobs and roles, but also most of the money, prestige and power that came along with them, and who later had the nerve to expect continued affectionate service from women, not as a freely-given, loving, and valued gift, but as their legitimate if unreciprocated due. Women, too, are finally seeing the sexism behind the long-standing assumption that men owe women a living….

 

To the often justifiably-aggrieved women who find little to like about men: please stop insisting that there’s something slavish, inappropriate, and/or sexist about freely choosing to be in a generous, mutually supportive relationship with a man (or a woman?) There isn’t.

 

Forewarned is forearmed: men like women who like them. If you don't much care for your man, or for men in general, for whatever reasons, don’t be surprised if he someday wanders off with someone completely unworthy of him but who likes him a lot and aims to please. The same goes for men who don't find much to like about women.

 

To all women: please try to see fit never again to disrespect a geisha or any other sex worker. Like the rest of us bumbling God-isn’t-finished-with-us-yet-either humans, sex workers need compassion, acceptance, and understanding, not contempt.

 

And finally, to women who love men, or who want to learn how to love them better, we can all reasonably choose, if we wish to, to learn a lot from geisha. Because geisha aren’t just about sex, you know. Sexuality, like spirituality, pervades all aspects of life. It's not just about genitals. The brain, they say, is the most important sex organ. Geisha know a lot about making men happier which is well worth knowing, if you’re one of the many who aspire to mutually enjoy and serve another.

 

Geisha lore offers a tempting (but not exclusive) window on relatively rare social arts: attentiveness, affection, tenderness, flirting, gentleness, refinement, courtesy, agreeableness, femininity, respect, presence, charm, humor, kindness, intellect, sensitivity, openness, loyalty, sensuality, giving, honoring, playfulness, intimacy, nurturing, acceptance, forgiveness, support, generosity, assistance, vulnerability, respect for tradition, and, in general, making a fuss over, and spoiling men rotten. Geisha are really good at making men feel truly wonderful about themselves. What’s not to like about that?

 

Whenever and however did this venerable list of praiseworthy social skills become politically incorrect? These subtly but important graces–along with physical beauty, gorgeous accoutrements, and skill in the arts of music, dance, serving food and the like–are a goodly part of what real geisha are all about, not to mention real women, real men, real relationships, and real feminism.

 

I don’t see much clarity about any of this in today’s society. I would love to see more thoughtful commentary and dialogue on these engaging contemporary issues, and regret not having found an in-depth treatment of them in Rob Marshall’s movie. I do think his film was beautiful made and visually and emotionally rich; he just missed this one important boat.

 

I hope someday to see highly-accomplished geisha finally receive from western audiences the recognition, support, and respect due them for their historic, centuries-old, artful, dedicated, cheerful, and very valuable example of freely-given, highly-valued compassionate service—not servitude or subjugation—to fortunate and highly appreciative men.

 

Please write comments to epharmon@adelphia.net

 

 

 

Here is a conversation I had with a thoughtful reader….)

 

 

Hello,

 

        A colleague forwarded your article to me, and I found it most interesting.   I agree with the vast majority of your assertions (although Marshall's set was not, in actuality, culturally accurate).    I wrote a doctoral dissertation on geisha (2002), and I propose geisha as feminists. I have an article in a book entitled Bad Girls of Japan; in a dialogue between me, a few geisha, and several customers, we discuss geisha as feminists.  I spent almost three years with geisha, and studied them as artists; I frame them as women in control of their own futures and outline just exactly how they exist within the arts world (the Ph.D. was completed in ethnomusicology).    I propose that the “bought and sold” model of geisha so treasured in America is a form of feminist Orientalism, and we need this false notion if we are to appear advanced in the gender department (another pipe dream).

    The film was ridiculous.   Even someone who's seen geisha for only a few minutes would never have tried to pass that off as accurate.   The Chinese actresses the country continues to rave about were pathetic actresses — we just have poor standards for this.   Real geisha couldn't be more different.

     The arts scenes were so far off as to be laughable — imagine casting the American basketball team as the Bolshoi, putting them in leotards, giving them a few lessons, and then allowing their “dance” to be passed off seriously as ballerinas.   These Chinese actresses couldn't even wear kimono properly because they hadn't done it for thirty odd years, couldn’t walk properly (an art learned from dance).

     Anyway, kudos to you for smelling a fraud even though you don't have the experience I've had, and for pointing out one of America's greatest blind spots.   Unfortunately, the rest of the nation is eagerly gobbling up the fantasy, and real geisha will suffer the consequences because young Japanese men don't want to be part of something that the world condemns.

      Feel free to email — kforeman69@hotmail.com

 

Best,

Kelly Foreman, Ph.D.

 

Dear Kelly,

 

Thank you so much for your thoughtful and interesting letter; it was very gratifying to hear from a scholar who is so experienced and knowledgeable about geisha, and I appreciated your support as well as your clarifications. What a fascinating experience you had in Japan!

 

My background in geisha and feminism is avocational. I was introduced to an exquisite geisha in Kyoto when I was a little girl, visiting the gardens surrounding a teahouse during the early 50's, and later that night saw more geisha singing and dancing on a kabuki stage, if my memory serves correctly. My father, a great Japanophile, was stationed in Tokyo in the U.S. occupation army–we lived there three years. My father described the “top” geisha to me as prized national treasures, personifications of the Japanese feminine ideal, carriers of a long oral cultural tradition, and the epitome of social refinement, courtesy, sensitivity, delicacy. My dad was my childhood hero, so his admiration piqued my interest greatly.

 

Perhaps I read a review of Bad Girls and picked up your idea of geisha as feminists–I don't remember, I'm sorry–we bloggers are pretty free to throw “our” stuff “out there” unhitched to anything, and just see what happens, unlike you more conscientious folk…. I really like your great thesis and agree with it, and I loved your NBA/Bolshoi image….

 

I've been blogging since Feb 05 and am enjoying it.  I forwarded the geisha article to your colleague (I only sent it to one person) since her name came up, when, as an afterthought, I googled “geisha” + “feminism.” I had started the piece as a review of Memoirs of a Geisha, and I guess it got away from me!

 

Thanks, too, for your comment on the set. The old town took me back a long ways into nostalgia-land, although to be sure, I shouldn't have pronounced it accurate, since I didn't know. I remember that I would take my 200-yen allowance weekly and wander the little shops in search of treasures. Everyone was always so kind to me–I'm still drawn to Asians. I didn't know there had been a war; I felt perfectly safe.

 

I will look for your book/article…. I hope to return to Japan some day. I remember spending a week at a lake resort called Kanizawa (I'm not sure of the spelling)–perhaps it has changed less than Tokyo? My favorite movie is Lost in Translation–I watch it over and over. I mean to review it–I'll send it when I do…. I've also been accused of having Japanese influences in my art–my compositions and technique too? I posted a couple of my portraits on my blog–do you see a Japanese influence? Interesting, as I left Japan when I was only 9.

 

What a fascinating field you are in–it's just exploding.

 

I really like/agree with your thesis on the American view of geisha; I'm guessing that the Japanese view is very mixed? I do hope some still cherish the geisha. Yes, the young everywhere are easily embarrassed by old ways, and hasten to throw them out; our Indian cultures come to mind. I remember how WEIRD I thought authentic (American) Indian music was when I first heard a recording (in elementary school)–anything different shocks the young–they are so rigid so early. I love it now, so it must have been a fruitful introduction–I stayed intrigued.

 

I was very interested by what you said about the actors' portrayal of the geisha in the movie, because I thought perhaps my memory might have been playing tricks on me. The movie geisha, to me, looked, in comparison to remembered geisha, very big, crude, and galumphing, sort of, although of course they are beautiful women. I loved Gong Li in To Live and earlier movies of Zhang Zhi (spelling?) better. My very different memory of geisha is of amazingly tiny, delicate, small birds. They also had beautiful cultivated voices, and were incredibly poised; every move seemed artless yet amazingly beautiful. My geisha was so gentle and warm to the little girl (me) shyly admiring her. And yes, no one in the movie reproduced their incredible walk….

 

I do recall seeing Sayonara many years ago, and the geisha/star in that movie seemed more authentic; I'll have to Netflix it and see what I think now, lo these many years later….

 

Thank you again, Kelly, for your kudos and your kindness. If I receive any interesting mail on the topic, I'll forward it to you. I will be very interested to follow your academic career.

 

Sincerely yours,

 

Eppy Harmon

 

 

Hi Kelly-

 

An afterthought… May I post your letter to me on my blogsite (www.epharmony.com) along with my reply to you–following my geisha article, in the comment section? May I also post your email address, in case someone has a question for you? Thanks again so much for writing….

 

Yours,

Eppy

 

 

 

Hi-

 

        Thanks for your letter.  I like Kyoto too, and lived there, but kind of found that there were more actual artisans in Tokyo than in Kyoto (almost all of the arts headmasters who teach Kyoto geiko live in Tokyo or Osaka).   I love Tokyo's energy, and Tokyo geisha are really fun!   The kind geisha you saw in Kyoto are the real thing; they are far too busy to be as langourous as that film depicted, too refined to be as catty as that.   There's competition for the arts roles and artistic rivalry to be sure, but nobody has the time to waste like that.

 

    The real problem with the film, that the media seems not able to acknowledge, is that this awful film is based on an awful book. Golden's book is a fiction, and nothing more than a cheap white boy fantasy at that. He wrote it to cater to American orientalist fantasies, to sell copy (which it did).  So the movie should be viewed in the same vein as Harry Potter or something, if at all.

 

    Geisha do not spoil men; men feel spoiled around women who spend all day studying art, for most of their lives.  Imagine having dinner with a Bolshoi ballerina, or with Nadia Solerno-Sonnenberg?   Or a person with both talents combined?   We don't have anything like this.   Geisha don't cater to men's whims at all — I can assure this.  They are actually pretty aloof, in the way that artists are (even around the people who pay for their living).   Japan has gradually devalued its own arts, especially traditional music and dance, so any future audiences for geisha rely on a cultivated taste in these things, and this is unlikely.   Even the music tracks (all except for two) were completely inaccurate;  there's Chinese er-hu or pipa for many of them, shakuhachi (never heard in the geisha quarters), and tsugaru shamisen (a northern folk form).   Would you use blue grass fiddle music to depict classical ballet, just because the instrument is associated with it

(the violin)?!

 

            Please read the actual memoirs:   Geisha, a Life, by Mineko Iwasaki.  This is the same person that Golden interviewed for Memoirs, but chose instead to create his own weird version.   The two stories have no relationship whatsoever.

 

         Bad Girls of Japan (Palgrave Press, 2005) includes my chapter, called “Bad Girls Confined:  Okuni, Geisha, and Negotiation of Female Performance Space.”    It answers a lot of the questions many people have about geisha.   My dissertation is called The Role of Music in the Lives and Identities of Japanese Geisha (Kent State University Press, 2002), and I have an upcoming book being published by Ashgate Press in London called The Gei of Geisha:  Music, Identity, and Meaning (2007?).

 

         Thanks for the interest, and for doing the blog!   I’m fine with posting this conversation too….

 

Best,

Kelly

 

Hi Kelly-

 

Thanks for your permission to post our exchange. I must admit I enjoyed Golden’s book, and admired his story-telling abilities. I’m sure I projected my own image of geisha onto his. You, on the other hand, were evaluating critically, from an informed background and interest, which is another thing entirely…. Thank you for the above references…. I will post them too.

 

One last comment: I wish I’d said, “Geisha make men feel spoiled” instead of “geisha spoil men.” I agree that geisha are too hard-working and serious of purpose to have time to indulge men often. The lucky few men, on the other hand, who are graced with the good fortune to enjoy the complete, gentle focus and presence of a geisha, even for a short time, must feel spoiled and honored by that moment’s special attentiveness to their needs and thoughts. Too often, western women perceive attentiveness to men as flattery and indulgence, when sometimes what men want is merely courtesy, kindness, and a little unrushed attention…. They feel spoiled just to get that!

 

I look forward to talking with you again someday, Kelly.

 

Yours,

“Eppy”

 

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<a href=”http://technorati.com/tag/feminism” rel = “tag”>feminism</a>

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“To Live” is To Die For

If To Live was intended to be a very persuasive heroic epic offering a model of feminine perfection during a lifetime of political and personal adversity, it succeeded admirably. I had to keep reminding myself that it was only a movie, and that the character played by Gong Li was fictional; I was stunned by her purity, refinement, selflessness, tranquility, quiet charm, and gentleness, and her apparent total commitment to creating a peaceful family life. Repeatedly, she let go of past regrets and bitterness, and worked through the many negatives of her life with a positive attitude toward the present and the future—despite a marriage to a weak, difficult husband.

 

I so admired the quality of contentedness I saw in this movie. Without any apparent advantages in education, cleverness, wit, talent, athletic ability, skill, spirituality, creativity, or money-making abilities (and other qualities many people aspire to), Gong Li’s character accepted herself, others, and her own situation, quietly working to improve her life without throwing energy into resisting or rejecting her challenging constraints. Her character projected no struggle whatsoever against the injustices of her situation, while so many of us second-guess every aspect of our lives, every choice we’ve ever made or have yet to make.

 

Most Americans—and probably most Chinese, who knows?—want so much more than “just” a quiet life with their spouses and children. And even when our steady American stream of personal requirements is lavishly addressed, few of us feel fulfilled, or filled with anything like satisfaction. Instead, we’re restless, doubtful, and grasping for more.

 

Gong Li’s character was so–believably–pure, I almost felt dirty–selfish, demanding, spoiled, neurotic. This film made me resolve to be less so in the future. I’m perfectly capable of getting myself in a big twist over a small thing; Gong Li’s character managed to make a happy marriage and a good family life out of very difficult circumstances and an unlucky match. Yet the movie still seemed a convincing personal vignette about a unique family.

 

To Live left me with a quiet ache for more simplicity and gentleness in everyday American life. For example—I was touched by how kindly and hospitably the older couple welcomed a shy young man as a possible match for their daughter—how accepting they were—especially when I consider all the hoops we sometimes make our prospective sons- and daughters-in-law jump through, and the impossible expectations we burden our children with.

 

Although I’m sure that Chinese culture has its many areas of challenge, I suspect that this movie is at least representative of values and attitudes the Chinese government would like to promote, and possibly is supporting through direct advocacy of such filmmaking. I wish we would see more similar work in our own culture; the media is such a powerful tool, and our airways are supposedly owned by the public—why not use them more wisely for the general good? Universal values are universal values—there’s little argument about what values we can all aspire to if we want to be happier. Yet, too often, our powerful media seems to be working against parental attempts to raise positive, productive, mentally and physically healthy children, and to create accepting, contented marriages.

 

I’m aware of the popular notion that Chinese blockbusters glorify communist history, but I saw little of that here. To be sure, the movie was pro-communist, just as many American movies are fundamentally (if perhaps less consciously) pro-capitalist, but viewers will see both the pros and cons of a rapidly-emerging culture during a very complicated, difficult, very human and fallible political and social era. In that sense, the portrayal of historical social and political realities should be familiar to Americans.

 

I found this window into a very-different-from-my-own private lifestyle completely fascinating.

 

I didn’t much enjoy the depressing, off-putting first fifteen minutes of the movie, as the director set up its initial sad premises. Furthermore, unsophisticated western ears won’t appreciate the traditional Chinese dramatic music during opening scenes, and may also find the opening gambling scenes, and dissolution of the early family, abhorrent. I was also restless during the initial revolutionary war scenes in which the Red Army was unrealistically idealized (war is, after all, war.) But when Gong Li finally returned to the screen, everything picked up, and the film was fascinating from then on.

 

The acting and the direction were outstanding, and the sets arresting and probably authentic. The very sad and memorable scenes depicting personal tragedies were compelling, beautifully, and convincingly produced.

 

I can’t wait to see Gong Li as the evil Hatsumomo in Memoirs of a Geisha. I’ve read that she does a brilliant job as Sayuri’s rival. What an opportunity to see Gong Li’s full range of acting abilities—from her portrayal of the somewhat Melanie Wilkes-type character in To Live, all the way to her villainous geisha in Memoirs.

 

If you think you might enjoy a poignant, thoughtful, beautifully-made movie depicting a starkly different culture, and offering on the side some sense of recent Chinese history and politics, you will enjoy To Live.

 

Please address comments to epharmon@adelphia.net.

 

 

 

 

Afterimage – A Short Story

I search her face across the table for its usual reassuring perfections, but the comforting illusion of Claire the Exquisite eludes me today. She’s talking warily—but at least she’s talking, that’s good. So often we don’t talk at all. Such a tiff in the car on the way over here, about nothing. And then we both laughed at that sign announcing “Reliable Junk”—our own shared private brand of hilarity. We laugh at all the same things. Why waste even a minute picking at each other?

 

She wants to be good company today for our annual mom-daughter Christmas-shopping trip. I love taking her to lunch during the holidays, love encouraging her to select her own gifts.

 

She’s leaning forward now, for once chatty, confident, confidential, an evanescent afterimage of the sweet vulnerable darling who once trusted me with her whole world. But it doesn’t happen often anymore, not since our infamous adolescence wars.

 

Now she’s off on one of her quick voluble trips through slanguage, emotions, contemporary cultural allusions, my reader, film devotee, my fathomless millennium-daughter. She waves her slim arms, flutters her long manicured fingers.

 

Her earnest elaborations of distressing personal revelations are making me nervous. She’ll be anxious for my good opinion later, I know it. She’ll wish she’d been more reserved. I resist inserting acerbic remarks that would stop all her words along with my terrors about her welfare. She won’t hear them anyway, I won’t say them, they’ve always been ignored before. She just shuts down anyway.

 

“Well, very interesting,” I offer lamely. I know Claire scrutinized every word of Sex in the City for moral guidance, an unpleasant-enough reality without her filling in terrifying personal details. Raising a baby alone was hard on my body, my finances, and my sleep—but parenting an adult is so much harder on the heart. Our skirmishes back then were bloodless little all-defenses-down lullabies compared with the ever-threatening storm clouds cracking over our present well-mined war zone.

 

But. I’ve vowed that no subjects will be off-limits today. I will offer only matter-of-fact responses to any requests for information, any hints of her willingness to share. I will come from a peaceful, higher perspective where we can be honest and respectful and loving. A good mother should offer a retreat, a place where her young empress can try on outlandish new selves, rehearse her first drafts, teeter on her brink and fling herself haphazardly out into brand-new universes—all from her mom’s safe jumping-off pinnacle.

 

I so much want to be the non-judgmental friend I looked for in vain in my own mother when I was twenty-two.

 

“Hey Mom, I talked with Zilsa last night.” Our younger daughter, a freshman across the continent at USC.

 

“I’m so glad you two are close. How is Zilsa?”

 

“OK. Except she’s completely berserk. She’s contemplating leaving California to come home, have babies and a beautiful wedding or something. What a dork.” Zilsa passionately loves her hometown boyfriend Stephen, but also has very high career aspirations. We’ve resisted pushing her one way or the other, although we’ve stated our preferences. We like Stephen, but Zilsa’s welfare comes first.

 

Claire confides, “Zilsa says Stephen is practically suicidal without her.”

 

“Better him than her. He can move in with her, work in California. He’s not going to school here anyway.”

 

Claire agrees indignantly, and her voice rises as she itemizes Zilsa’s errancies.

 

Claire, no, please. We count on you to be Zilsa’s very necessary, listening, accepting big sister and friend.  Don’t sound so like me, so critical-parent, my little mirror. Claire always fought against my bossy, pushy, know-it-all side. She said she’d rather die than turn out reproachful and demanding like me. Don’t you dare pick up those crummy traits from me, Claire. I tried them already. They don’t work.

 

I’ve been better at handling Zilsa’s adolescence than Claire’s. All my fears still clamor, but I’ve learned to turn down their volume, to hold tightly to my vision of my children’s goodness, their luminous futures. Claire sure shoved my spluttering face down deep enough into that fount of knowledge. I can never change fast enough, though. I’ve finally got it down to an iterative but reasonable-length fit of weeping and rending and gnashing of teeth.

 

Claire doubly challenges me these days, since she’s become my double in anxiety and reactiveness. For it seems that, before I turned her loose on the world, I carefully passed on to her all my fears, and now she’s as defensive and alarmist with me as I was with her.

 

Claire and I do still occasionally manage some forward motion in our relationship, but it’s like doing the hokey-pokey.

 

“I wonder if you can help Zilsa?”

 

“I can’t. There’s no way.” Claire polarizes when she’s uncomfortable. She seems most assured and self-confident whenever she’s most uncomfortable—as if confidence in some opposite delusion will keep her safe. “She has to make her own decisions. All I can do is tell her what I think. And I think she’s a dork.”

 

Such wild polar swings—ah, my own old familiar path. Blunt. Black or white, yes or no, all or nothing.  Everything with Claire nowadays is good or bad, now or never, approach or escape, wonderful or unbearable, dead stop or full speed ahead. It’s not enough for Claire to be a fallible human being, to stumble along through life along with the rest of us mortals. No, for Claire to feel minimally worthwhile, or even just a little lovable, she must be perfect. Because whenever Claire makes a mistake, when she fails or is wrong, she sees herself as the dregs of society, of no use to anyone at all. My little gift to her.

 

When my own fearful mental conversations come up these days, I can recognize and acknowledge them more quickly and send them packing. I don’t swing quite so far so fast anymore. But my poor little rosy apple didn’t have much of a chance to fall far from her quaking mother-tree.

 

Like mother, like daughter. Shit.

 

I was scared back then. And awful to Claire. I was so terrified of that damnable public high school/ media/ youth culture. And haunted by my own missed opportunities. I wanted to keep her safe, keep her options open. I wanted Claire to make her own original mistakes, ones I hadn’t made first, couldn’t foresee, couldn’t throw my body in front of.

 

And I was quite successful—at circumventing every potentially character-building lesson that might have timidly ventured across Claire's path. And at impressing upon her every apprehension and dread in my vast repertoire. Yes, I honed every one of my trepidations onto my sweet little mime, hoping against hope that she wouldn’t repeat my own particular errors.  Just exactly as my mother insured that I would repeat all of hers.

 

“Claire, can’t you think of any way to talk to Zilsa?”

 

“Let’s just drop it Mom. It depresses me to think about it.” Claire gives me her hard, unblinking look, and I do drop it. Abrupt, direct. Despite our substantial differences in interests, experiences, and talents, Claire is totally my emotional and behavioral duplicate. If ever I had wanted to share my joys with this, my cherished daughter, why did I choose instead to act out every one of my fears?

 

I search for a less controversial subject. “What do you think of the war? Isn’t it unbelievable?”

 

“Mom! Don’t you ever have anything nice to say about your own country?” My previously well-indoctrinated left-leaning Claire is these days influenced by her buttoned-down law-school boyfriend. “Do you always have to see the worst?” She glares at me and then remembers herself. “Oh never mind.” Impatient. Dismissive. “You have a right to your opinion.” She looks away forlornly.

 

Claire hates to talk politics with me. She feels overpowered, squelched by my lifelong interest in politics. She’s young and forming her own ideas. Besides, she thinks it rude the way I turn polite social contexts into intellectual forums. I love serious exchanges, but she thinks I also talk too much and too loud, and listen too little. She’s right, of course. Claire likes to keep things light and fun. Her forte is sprightly intelligent witty small talk. Neither one of us has any clue at all about listening.

 

But no small talk will be forthcoming today it seems, for she has already backed away again, already forgetten how easily she can lighten me up, change any subject, make me laugh, effervesce among novelties so fast I can’t keep up with her.

 

I search for an undevisive, luncheony topic, but she’s cautious now, recalling how I lurk in the corners of conversations, hoarding stuff in the dark, waiting for opportunities to leap out and poison her tentative little essays with all my lectures.

 

God. Stop. Sometimes I even drive me crazy.

 

I know we both look forward to our annual mother-daughter lunch at Nordstrom’s. We always order different things and split them, because we know we’ll end up coveting what’s on each other’s plates anyway. Claire and I lust after the same fresh fruits and veggies, salads, sandwiches, ethnic experiments. Husbands never share this commonality, certainly not Ben. It’s a nice mother-daughter thing.

 

Now Claire has taken a deep breath, and has turned back to me, once again beaming little rays of sunshine. “You order that pear and gorgonzola salad every year. Ah, food sharing. Our special tradition.” She’s so mercurial—all light and affection once again, so much her truest nature.

 

Although it’s secreted well these days beneath that spiny skin she grew during our late culture wars.

 

“You are so nice, my sweet Mom, to take me out to eat and shop. I love eating out with you. It’s so hard for me to get out anymore. I’m always short on money. Seems like I just pay my bills and then starve for the rest of the month. I sure need a raise. I’m living on chicken-cup-a-soups these days. No, really. That’s all. That’s it.”

 

How long before her gums start bleeding and her teeth fall out? She’s exaggerating of course. Her boyfriend pays for a lot of meals out, and I know she lunches out with colleagues, even occasionally cooks. Is she trying to tell me she needs money, but can’t come out and say so?

 

It’s evident that I’m going to be a challenge today, for myself and for her, that’s for certain. But she’s graciously rising to it, determined to stay calm with me, to exude cheer, to be my loving, appreciative daughter. She has a short memory for grudges, she hates to stay mad. She was always a sunny little thing, with only occasional flashes of heat lightning.

 

“So, Claire, how’re things at work?”

 

“They’re OK. Mom, please, I don’t want to talk about work right now.”

 

Well. So much for that subject. I thought her job was going so well. They’re so lucky to have her, such a hard worker, a genius in my humble opinion, so much potential, such a darling personality…. Maybe relations with China are affecting sales?  She’s usually so enthusiastic about her work. I do hope nothing’s wrong. I want information, reassurance.

 

“Well, I hope everything’s all right….”

 

She glares at me.

 

OK, so push me out of two-thirds of your life, push me out of how you spend your days and half your nights and weekends. So we can’t talk about Zilsa. Or work. What else is there?

 

We eat, quiet, distrustful. Our new sad little norm.

 

I wish she’d ask me about what I’ve been doing, about my painting, my gardening. I probably don’t give her a chance to. I know she loves me, I know she finds me interesting and even admirable—sometimes she blurts it out spontaneously, confides it warmly. I feel it. I’m her irreplaceable Mom of childhood, her favorite ally in a dark alley. She knows she has me, forever.

 

Once I told her “I hate you.” She was a senior in high school, and truly awful to me, though charming to everyone else. It was the most frustrating moment of our whole lives together so far, and I screamed at her what I’d never dreamed I’d ever say.

 

She stopped whatever she was doing or saying…I forget what now…shocked. She stared solemnly at me for a long moment. And then she actually burst out laughing. And hugged me, uproarious at her slapstick comedienne mother who had just dropped a fish down her underpants. Like I’d just said the funniest thing she’d ever heard.

 

Smothering snorts but still stern and instructive, Claire scolded, “No, Mom. You don’t hate me.” Like it was necessary to remind her mildly retarded mom of the unshakeable reality that really, she loved her daughter boundlessly, unconditionally. I realized then that Claire hadn’t even been angry with me at all—she’d merely been toying with me, torturing me, testing her limits, watching me squirm.

 

Like quicksilver, she was doubled over before me, winding her long arms around her waist and wiping away tears of merriment.

 

But I just couldn’t let it drop, then, not yet. “I did mean it, Claire, at least I meant it when I said it. I don’t lie to you.” I’m feeling guilty, retreating a little, but I still want clarity on my hard-won point before I drop it forever, she’d been too mean. “Claire, for that one moment, I meant it.”

 

“No. You didn’t, Mom.” She smiles, wider, ever more amused, even delighted, her beautiful blue eyes innocent, confiding, tender. “I know you didn’t.”

 

Bratty little know-it-all. Contradicting me right to my face. And she’s still teasing me too. My hackles are still all fuzzed up, though. And besides, she’s raised questions of my integrity and self-awareness. “No Claire. I meant it. At least I meant it when I said it.” And I add, “And I’m still mad at you.” But I can’t find my anger anymore, it’s melting, melting. The wicked witch of the west is melting, and this makes me madder still. But melting.

 

“No, you didn’t, Mom,” Claire repeats calmly, confrontively, so sure of herself and her place in my heart–in fact, rather charmed by the notion that her steadfastly loving, if slightly unbalanced, Mom could manage anything but adoration for her beloved firstborn. Silly old Mom.

 

I’m rendered clawless and helpless and helpful once again, as always. I am, in fact, comforted, in a backhanded sort of way, at having done such a good job convincing Claire that she is loved. For a long while there, I was the only one she had. When you’re someone’s everything, you don’t drop the ball. I guess that’s something I can feel smug about, Claire. You’re secure in my love, you little twerp.

 

But she never asks me how I am, what I’ve been doing.

 

Deep down, Claire operates in our relationship just exactly as I’ve taught her to operate, taught her with infinite patience and attention to the minutest detail: she is the important one in our relationship, the one who counts, whose requirements need and deserve serving. And I’m the one who’s always OK, temporarily dismissable, capable, self-reliant, resilient.

 

I doubt she even yet sees me as having any reality at all outside my relationship with her. My lifelong urgent focus upon her moment-to-moment needs has negated any present possibility of her dredging up any real interest in my trivial day-to-day pursuits. I’ll bet Claire envisions me a robot, standing frozen and Schwarzeneggerishly erect on standby, waiting beside the phone night and day, all bodily systems shut down, ready to light up and leap into action whenever she calls me with some menial favor to ask, some minor request to keep me busy and keep my mind off my troubles. I’m like a toy doll to her, coming to life only in her presence, flopping back to the floor when she leaves, perking up again when she calls me back into being.

 

I close most of our phone conversations with, “Are you OK, Claire? Is there anything we can do for you?”—hoping to help, but also hoping to model for her a caring relationship. Too bad, though. Claire seems to think that my effusive-doormat approach is just the way all parents are supposed to treat their kids.

 

My own mother vacillated between nervous nurturing and critical sniping, doting and doubting, and of course I raised Claire the same way, unaware until long after my own little reproduction was well-stamped with the same overbearing pattern. I loved my parents, but didn’t treat them as well as I now wish I had, looking back. I grew up alternately insisting on and resisting their attentions, completely unobservant of their own, many, very human requirements.

 

I learned from their example that there are two very different kinds of love: one, openhanded, openhearted, and anxious, the kind of love one extends to one’s offspring. And another, more self-centered, self-protective, defensive, and begrudging—the kind reserved for one’s lovable but pushy parents.

 

To Claire’s great credit, she cooperates with most of the familyish things we ask of her, coming home often and keeping us generally informed of her whereabouts in a sort of  a “See? I’m not dead!” sort of way. I think she’d be there for us if we needed her.

 

She sure doesn’t come around looking for trouble though. Doesn’t peer around suspiciously as I do when I visit her place, projecting potential dangers requiring maternal input. Probably Ben’s and my little needs and dreams don’t even show up on her monitor at all. Probably she doesn’t see any connection between them and her day-to-day life. In fact, I’m sure she dreads the day serious needs will come up. As we do. And we’re quick to insist if she does ask: oh no, no, nothing, there’s nothing you can do for us.

 

But she usually doesn’t ask. And of course we don’t particularly want her youthful energies diverted to our support. She has enough to do to establish a career, friends, a family, a future—we’ve already done all that.

 

I do wish she’d be more solicitous though.

 

Poor Claire, what a mixed message.

 

If we need her, she’ll be there for us.

 

We hope.

 

But for now, she’s accustomed to our lopsided arrangement.

 

But then, after all, what is unequal about Claire’s willingness to bloom in our too-well-cultivated field of expectations, under the storm of our fears and hopes and ambitions?

 

Unarguably, Claire is drawn to this odd person, her mother. She’s expressed a guarded fascination with me, the sort that evolutionary biologists reserve for platypi and peacocks. She’s genuinely intrigued by my unconventional talents and experiences. Of couse, she’s not one to go around saying oh you’re so wonderful, and she knows to use extreme caution before showing any interest in anything that smacks of one of her mom’s “things.” Because I overreact and overwhelm her if she even inquires about what I do with my days. Outre among her friends, warm to strangers, Claire holds in all her emotions with me, except of course when we’re both drunk. We both get affectionately goofy and maudlin over a bottle of wine. How awful.

 

And she’s certainly inherited my own awkwardness with deep feelings, my own over-sensitivity when anyone gets too personal. Claire scrupulously avoids being nosy; she doesn’t want to be…what…like me, who these days is bashfully but persistently nosy, ever since Claire’s adolescent withdrawal.

 

Claire never asks me questions. She certainly doesn’t want to invite any of the potentially uncomfortable, or alarming, or boring answers she might get. I might let down my gray hair, share some intimate detail of my personal life, my sex life even, yuck, gross. Claire has nothing against Ben, he’s a wonderful stepdad, but really. Ugh. As far as Claire’s concerned, anyone over thirty should have the good sense to go out and shoot themselves. To be sure, she’s generously made an exception for us because we’re her parents and we need to…exist…somehow, somewhere, still available to her. But preferably in a distant parallel universe.

 

What Claire doesn’t want to know, what she’s definitely not interested in hearing from me, are exactly those details of my daily life that I’d welcome hearing about hers—details that, in fact, I’m jealous that she shares so freely with her boyfriend, her roommates, her sister. Claire’s current philosophy with her mother is: don’t ask don’t tell.

 

Probably because when she does ask me something, I’m thrilled. I light up like R2D2, snort deeply and paw the ground as if preparing to fight the Trojan War or recite the Iliad, I’m so fearful that I’ll run out of air before she breaks in or breaks away, before I have time to reach the ever-receding horizon of my pent-up verbal barrage of repressed input.

 

I’m not shallow, and Claire respects my ideas, even some of my conclusions. But occasionally my thought processes tend toward the circuitous and muddied, weaving right past her, while I endlessly stalk my point, pounce on it, worry it, loop back and beat it to death…. As you see….

 

“So how’s Ben?”

 

“Ben’s good. Ben’s always good. His deck-building project is going well.”

 

“Oh good. He always enjoys his building projects—his 'therapy.'”

 

“Yes, his therapy.” For being married to me—Ben’s joke.

 

I want to tell Claire how sweet Ben was last night, how strong his arms were, how he makes me feel like a girl again, in bed with her best friend. I wish I could share my worries that’s he’s taxing his health working too many long hours, my resentment at having to ration my requirements on his time. But I don’t want to worry her.

 

On the other hand, Claire is a grown-up. So why not model the honesty, openness and vulnerability I want from her? After all, she did ask….

 

“To tell the truth, Claire, I kind of miss Ben lately. He’s been so busy, we don’t talk as much as we used to. It kind of worries me. I don’t want us to drift apart.”

 

Claire looks up startled, eyes wide and alert. “What do you mean!” she accuses me, countering my perceived frontal assault with one of her own. Her eyes glint ominously. How dare her parents’ relationship not be perfect? They’re fiftyish for godsake, crazy about each other. She glowers at me in apprehensive silence, her blond eyebrows rising to their haughtiest peak, her mouth fixing itself in an elaborate twist to conceal her concern.

 

I hasten to reassure her: “There’s nothing for you to worry about Claire. Just normal husband-and-wife stuff. Even good relationships have issues.”

 

Claire’s brow wrinkles wrathfully. How dare I unnecessarily alarm her? And she’s fighting another internal battle as well, torn between defending me and, well, fixing me. She likes things between her parents to be unworrisome, tidy. Should she be doing something about all this? Be indignant with Ben? Or sterner with me for spending too much time in the garden or curled up with a book? Should she take a stand, a side? Offer some help somehow to someone?

 

She shakes her head as if to clear out cobwebs, straightens her shoulders and spine, recomposes her face and body into its usual elegant lines. It’s all too confusing, too much for her. There’s nothing she can do about it. Let it go.

 

I shake out my own cobwebs, a little stunned by Claire’s peremptory dismissal of my smallest attempt to open up my inner life to her. Talk about an out-of-hand rejection. I’m suddenly feeling old, tired, and bereft. She’s young, and I’m dying, tomorrow, or in fifty years, whatever, whenever. The days suddenly feel so short, and my time with her so precious.

 

This whole conversation is so typically Claire-and-Grace, at least these days. No safe subjects. Everything loaded, risky, emotionally charged. I’m allowed to discuss only boring subjects. The weather…and…good grief, I can’t even think of a safe second subject. Or I can stick to her areas of interest and expertise—current eye shadow shades, accessorizing choices of bypassers, shoe styles, for godsake. Any subject of consequence spins us screaming back into the void, thrown into our lizard brains.

 

This is such hard work. So sad. Claire is awesome, too awesome for anyone to fight with. Translucent skin, shining hair curling in ringlets down her neck, electric currents shooting through her, so bright and charged up, so excited by all that’s happening in her job, her relationships, her culture, her city, her world.

 

But so private and self-protective. And so determined that I should not have a single chance to drape my soggy disapproving blanket over a single one of her passions. Her mind these days is an exclusive by-invitation-only place, a seething vibrant place I visit only in my dreams.

 

But I’m so determined that we will have time, to swing open all the rusty doors we once slammed shut. We will have time to scale the fortifications we hastily erected in the fright and flight of her adolescence.

 

Too bad. I still catch myself shading honesty with her, still withhold openness. Sometimes I still shelter her, buffer her, parse my sharings, as—regrettably—I did so often when she was a child. Yet now it’s not just to protect her, but to protect myself as well, from her disapproval and legitimate judgment.

 

We trudge despondently down our long, convoluted path, so far from that open-faced child who ran so ecstatically to her open-armed mother.

 

We know each other now too well these days. And too little. Her eyes searchlight around, elaborately casual, looking toward no one and nothing.

 

A long silence.

 

“Have you been writing much?” And instantly, I bite my tongue, absolutely certain that my carefully preconsidered, very thoughtfully analyzed, precisely-worded inquiry will not be received as intended—as the most general and open-ended and impersonal of questions.

 

And indeed: “I don’t want to talk about my writing, Mom. Why are you always pushing me to write? Maybe I’m writing and you don’t even know about it! And there might be a reason for that. Did you ever think about that possibility?” Accusingly glaring at me, backed up, hurt again.

 

What hath I wrought? Whenever did I mold such a prickly, ill-mannered girl-child, whenever did I earn such ill-concealed resentment, such instantly hostile assumptions about my presumed opinions about whether or not she’s writing, or how often, or what?

 

But then, it’s karma. I’m being repaid, inexorably, for all those high school years when I leaned on her, interfered with her, pushed, prodded, and directed. Bent her tenderly-budding still-supple twig none too gently this way and that.

 

But I’m not doing that anymore, Claire. I’ve learned. This is me, Claire, this is now, we’re sitting here in a restaurant at a mall, it’s Christmastime, years and years have passed. Can’t we just stay in the present?

 

But no. She would take even this as angry criticism. Which I suppose it is.

 

I know, finally, that I’m on this earth only to love her, not to change her. So why didn’t I know that earlier? Why have I finally learned it only when it’s too late to get anything right?

 

And why do I keep forgetting it?

 

“I’m sorry, Claire. Of course you don’t have to talk about your writing. I’m happy just … that you're writing…or…er, well, I mean, if you aren’t, that’s OK too.” Lame. “And no, you don’t have to tell me about any of it. I just thought…” picking around among my words “…that it might be fun…you know, to talk about…to hear you bounce your ideas off me, whatever you’re thinking about.”

 

“Can’t you just trust me, Mom?”

 

Trust you? What are you talking about? What does trust have to do with anything? What do you mean, do I trust you? To do what? To want good things for your life? Well, then, OK, do you know, Claire, that wanting things isn’t enough? That writing takes practice, work, perseverance? I found my artwork so late. Do you know that wanting something doesn’t matter, Claire? That only taking action does? No, I don’t trust you. to know that. I do wish I could tell you all the things I didn’t tell you before, because I didn’t know them yet.

 

But, no. Not today. Telling her anything won’t be on her agenda today, and what I want most of all after all is just to share a happy day with Claire. Not to ferret around in her mind, not to sharpen up her decisions, question her premises, show up her inconsistencies. Yes, yes, I used to do all that. Yes. All right. I did a lot of that.

 

OK, all the time.

 

But not any more. Not now.

 

Damn it, I hate myself.

 

Claire is looking at me tenderly, inquiringly. And I probably do look sad. Fended-off. Flustered. Resigned. Depressed. Discouraged. Defeated…. Alliterative.

 

“I’m so sorry Mom. I never mean to hurt you. I just can’t write, that way, you know, sharing it with you….” She’s looking closely at me, concern and kindness brimming in her eyes. “I hope I didn’t hurt your feelings, Mom. I never intend to.” Now she’s reaching over, touching my cheek. “It’s just that I work better alone. You know, you know I love your support and encouragement. It’s just that…all that career stuff…. It’s something I have to do on my own. Whenever you help me, it makes me feel like you don’t think I can do it on my own.”

 

“Well of course I think you can do anything on your own, Claire. I’ve told you a gadzillion times I think you’re brilliant. You hate the very word ‘potential.’ Of course you don’t need help. It’s just that…well, everyone makes better decisions…accomplishes more…when they have friends to help them. There’s no reason for you to go through your life alone.”

 

Claire sighs, shrugs. And it’s true, I’m hopeless. Open your eyes, Mom, are you blind? Claire is young and beautiful and bright and sweet and funny, and not, as you might have noticed, alone. In fact, she’s hounded by friends and colleagues and suitors thrilled with any opportunity to lend her an ear, a hand, whatever she’ll take. She needs acceptance from her Mom, not the same brand-new old brilliant revelations and insights. She needs my love and acceptance, as-is. How can I keep forgetting? My little Claire has the whole universe on her side. I’ve had all my chances, twenty-one years of chances, to dictate her progress. Now it’s time to let her go, to turn her over to a new world of eager new benefactors…and opportunists…and con men…..

 

Stop.

 

Now even I’ve had just about all of myself I can stand.

 

I’m not hurt anymore, just lingeringly in love with my sweet Claire, sadly letting go of the old us, weaning myself away from her. I never could stay mad at her for long, she could win me over in an instant with the smallest loving touch or temperate word. I know I'll always forgive her anything, as long as she’ll let me be her mom, as long as she’ll be my daughter. Whatever that means. To be a daughter, a mother.

 

Whatever we decide on, whatever we come up with, moment-to-moment, I guess. Whatever it is that we make together, whatever we choose to create.

 

I guess that’s a lot.

 

And now she’s meek and mild Claire, once again.

 

“I know you care about me, Mom. I know you’re just trying to help. Really, I know it. Sometimes it just kind of makes me mad. I sort of forget everything I’ve ever known, kind of momentarily lose it? You know? Like you used to? So please, forgive me? Believe in me?”

 

“But I still want to know you, to share your life, Claire. How can I help still being interested in you, after caring for you all those years? Sometimes I just can’t help myself, can’t stop myself, can’t keep from helping you. I’m trying. It’s just hard.” A humble petition for understanding and patience.

 

But she’s already bored with her apparently failed attempt at openness. She’s tried to explain, she’s given me her all, she’s been open, vulnerable, but I wouldn’t listen, wouldn’t hear, it didn’t work, she’s given up. She folds her arms, looks away, alone and frustrated again.

 

We sit tired, groping for another topic.

 

“I finished a painting yesterday.”

 

“Yeah? What?”

 

“About the war. Just some visual concepts about empire building, aggression, you know.”

 

“Mom! I thought you decided you weren’t going to put out all that radical stuff. I thought you were worried about how your weird ideas might affect Ben’s job.” Icy pale-blue eyes narrowing.

 

“Well, I decided it was more important to express myself than to repress my voice,  worrying about his job. If this war goes on, maybe no one will have a job, or a pension, or a home, or maybe even a country when it’s all over.

 

“Mmmmph.” Turning her head away.

 

Well, thanks again for nothing, Claire. Thanks for your sensitive encouragement of my first fumbling attempts to be creative and useful to the world since devoting my life to raising you.

 

I know I’m exaggerating wildly, but still, I cross my arms too, look irritable. I do try to stop myself.

 

Here we go again.

 

“Nothing against your painting, Mom. I’m just worried about Ben. Not everyone feels about politics the way you do.”

 

“That’s true.”

 

Well. End of that topic.

 

Claire’s lovelife is usually a safe place to go for a nice talk. She usually blathers quite happily about her current flame. “How’s Wayne?”

 

“Fine.” But after a quick warning look at me, Claire’s face rearranges itself to studied coolness. Uh-oh.

 

Now she’s looking down, fidgeting, glancing around nonchalantly, casting a suspicious glance my way. A sigh.

 

So cagey. Who can know anything? And how did I find myself so lost in this unapproachable emotional-earthquakeville? Even the most polite, most considered conversation with Claire today seems an impossibility. Any interest at all in her life, in anything that matters to her, any small hope for a response, good bad indifferent boring interesting relevant, or not, who cares, meaningful or trifling….

 

I’d welcome the words to her favorite song, a retelling of any book she’s reading….

 

Damn.

 

Her hard face says, Mom, please, butt out of my relationship with Wayne.

 

Claire wants me to think she handles everything with ease—all her relationships, her career, her money—but what person can do that, young or old?

 

I did push her to be perfect, I admit it, just as my mother pushed me, only hoping to keep me safe. I wanted only to protect Claire, protect her options, keep her from hurting. Now she thinks anything less than an announcement of ease and automatic achievement in every area will leave me distressed and overwrought. And continuingly critical. And she’s right.

 

She certainly doesn’t want my advice either. She thinks she’s heard it all already, she’s sure of it, all the same old things she was forced to listen to when she was in high school.

 

But we’ve both grown up. We've changed so much since then. I’ve learned some new things, some new stuff I want to share.

 

But she doesn’t want to share any of it, not with me, certainly not all the gory details of her life, certainly not the unpleasant ones…and god, certainly not the good ones, not with her mom.

 

We face off across our usual thousand-foot-deep-high-wide chasm.

 

“I guess Wayne’s busy with work these days?”

 

“Yeah.”

 

“Anything fun lately?” Fun would seem a safe-enough subject. Claire takes pride in my vicarious delight in her pleasures, and she and Wayne are fun people, always running around, always into all the latest things.

 

She shrugs in disgust at her presently unfulfilled life. “No. Nothing. We’re always both out of money and comatose from work and studying and from marathon training. We just sit around a lot, sit around and eat.” She glowers, defensive now about this distasteful revelation, wanting to fly instead to Wayne’s defense, prepared to fend off my forthcoming judgment.

 

And then her face lights up. “Guess what? Wayne bought us tickets to Ireland!”

 

“How sweet of him.” Icily.

 

Such spendthrifts they are, such obsessive-compulsive consumers. And she’ll have to pay her own way in Ireland, I’m sure of it. No wonder she never has any money for new tires or dentist appointments. And I guess that blows any possibility that she’ll be with us in San Diego on her birthday.

 

Stop.

 

“I guess you’ll have fun showing him around all your favorite spots?”

 

“Yes! We’re planning so many neat things! We’re staying one night each in seven different places, and I’m going to take him to all my favorite pubs and restaurants, and to the cliffs too.”

 

“Wow. Sounds great!”

 

Hmmmph. Sounds expensive.

 

Shut up. Let her live her own life.

 

“I know you loved Ireland! What a romantic place. Let me see, weren’t you with Sam, the last time you were there?”

 

Now how did that pop out of my mouth?

 

“Yeah.” Pensively. “And I hope Wayne won’t be as much of a pain in the ass as Sam was. I remember we fought the whole way across Europe. God I hope Wayne and I can stand each other for a whole week. We get on each other’s nerves. You know, Sam drove me crazy all the way across Ireland.”

 

Yes, I do know. I know Claire’s love relationships, which tend, like mine did at her age, toward extremes of passionate abandon or dark doubts.

 

“When I was your age, Claire” (am I the one now really saying this?) “I wanted so much for everything, my whole life, to be decided right now. I was dying to know who I was going to marry, what my career would be, what I’d name my kids, where I would settle down….”

 

“Yeah, Mom. Thanks, but I don’t feel that way.”

 

“You don’t?” Now that’s interesting. A dismissal? A sign of growth? I’m intrigued. “Claire…?”

 

But the waiter appears, refills our water glasses, takes our plates and our orders for coffee and dessert. And the moment passes.

 

Claire remembers something she’d wanted to share. “Did I tell you what I’m getting Wayne for Christmas? And what he’s getting me? I bought him this fantastic leather jacket he tried on the other day. Incredible. I just had to get it, he looked so hot in it. And he’s made us Christmas Eve reservations at the Inn at Little Washington. Have you heard of it?”

 

Just that it’s expensive…. Shut up.

 

“Wonderful!” I say enthusiastically.

 

So we won’t see you on Christmas either, Claire?

 

Stop, Grace. Don’t go a step further.

 

I do anyway.

“I hope you’ve managed to set aside a little money for Ben and Zilsa’s Christmas gifts this year.” (And mine. Don’t forget about me! Again.)

Claire scowls darkly at me. “I’m not going to forget your present, Mom, if that’s what you’re worrying about. That was in college. I’m a big girl now.” But still, she looks a little lost and sad. “I hope it’s OK if I don’t spend too much on you guys this year. With the Ireland trip coming up. And all my bills. But I should get a raise soon.” She brightens up at that thought.

“Hey, Mom, I made my Christmas list, like you asked me to. Wanna see it?”

I love Christmas shopping with Claire, love the self-indulgence of going in and out of every store looking for exactly what we want. I love watching her try things on, love to watch her prance around in new finery. I love giving Claire pretty things, dressing her up, helping her. It’s fun to buy things for one so pretty and young—I wish I could have bought things when I was young and gorgeous, or whatever. Claire looks so good in everything. And she does appreciate what we give her. And she knows we don’t want her to feel obligated, just want to share our small disposable income with her.

It must be hard for her to take our money, though, our gifts, even though we don’t attach strings.

On the other hand, this generation is so materialistic.

Stop, Grace. Stop being a fuddy-duddy. It’s a new century. She likes having things. And just what alternatives did I hope would attract Claire at this stage? Perhaps she should live in a dump in rags with no material desires at all? Like I did?

I am so hard on her. Whatever she chooses, she can’t win. I always question it, ponder all the alternative choices she’s missing out on.

But at least she’s having fun now, anyway. “That was a great lunch Mom! Thank you so much. I love our Christmas shopping trip, don’t you?” She strides ahead, a tawny feline, oblivious of all the turning heads. Ah, I remember those days. Vaguely.

Claire’s incorrigible when she gets going on something, so animated, funny, and now she’s going on about Wayne, all the funny things he said, what the guy across from her cube said on email, what she’ll wear to the Christmas party, all those prom dresses we bought her in high school, how she never appreciated them but really does now. Poor Claire, so young and beautiful and poor and tempted by everything. But we’re proud of her, the way she’s taken on the tough job of taking care of herself, standing on her own two big feet, making her way.

Suddenly she’s frowning, confronting the total stress of having nothing to wear to the office party, thinking about all her tough day-to-day economic choices, her dire state of poverty, Ireland, Wayne's new jacket, the long career climb ahead, paying for graduate school too, all before she can begin to go where she wants to go.

Subtly but surely, her long lithe body seems to bend slightly, collapsing inward. She seems suddenly smaller. She’s been working too hard, not getting enough sleep, no exercise. She’s not eating right.

“Do you want to rethink your Christmas list, Claire, with a party dress in mind?”

Her brow furrows into a deep frown. “No. I need those work clothes.” Then she slips her long arm companionably through mind, leans into me, smiles apologetically for being so short with me, and we swing along looking into store windows.

Well. This is fun. Though I’m still feeling a bit tender, a little wistful, knowing, regretting, that I can’t, and in fact never could, control Claire’s tomorrows.

A hard lesson. But one I’ve learned. For sure. For ever.

I look down at her Christmas list.

“Why on earth would you want a black purse, Claire? I thought you were going to go with browns and neutrals, not blacks and whites. It’s like silver or gold, you have to choose, at your stage in life, in your financial situation….”

“Mom! Let me make my own fashion decisions, OK?!”

She’s given up on me now, can’t even look at me, afraid I’ll see her totally—berserk—deranged—furious. She feels completely put upon, overwhelmed. I’m impossible. It never ends, does it? It will always be the same old stuff. Her mom will never give up, I'll always baby her. It will always be like this. Good god, telling her what clothes to buy, giving her advice on style, her, the only one in the whole hippie family who ever even cared about what she looked like….

Claire’s face is furious.

And I’m recomposing my own face now, too, feeling so old, so cold, so completely frustrated. And struggling to hide it.

I want to shriek, give me a break!

Is there any subject you’re not touchy about? If there is one, tell me, tell me now! I need to know what it is! However may I earn your royal highness’ approval? How ascend Rapunzel’s lofty, impregnable wall? Tell me, what is it that you want me to say?

Or shall I just retreat forever into silence??

Not to mention: Pardon me for living!

I just want to go home, want to get a nice backrub from my warm, accepting husband, drink the glass of merlot he’ll hand me with a sympathetic grin. He knows our relationship, he hears me whine about it until late into the night curled up close, murmuring, she’ll be fine, she’s wonderful, keep trying, everything will come out all right….

Claire and I are two copycat mannequins, one feeling so very old and one so young. We stumble along side-by-side, grimacing, vacant, extending ourselves numbly and pointlessly away from each other, outward toward nothing, our hearts hardening.

Claire sees the veiled twist of my mouth that trembles infuriatingly when I’m most hurt, when I’m trying, god forbid, not to cry.

“Uh-oh,” she says. “Mom’s mad.”

Damn straight. And thanks, Claire, that helps a lot.

My long hard look at her means, just drop it. You don’t even want to know what I’m thinking.

And sure enough, that look is devastating, and it’s had its withering effect. Claire now looks quickly away too, her own mouth twisting.

We're affronted little hurt-twins, distraught duplicates, huffing along in unison, our eyes rolling in torment, our livers picked endlessly by crows. We sigh. We shrug. We sigh heavily again.

“I can’t seem to find any safe subjects, Claire. Is there anything you’d like to talk about?”

“Not really.” Grimly. “Let’s shop.”

Let’s get this over with, she means. I just hate this. We both hate this. It’s impossible. She hates taking my money, hates acting happy and grateful, hates being here with me, hates being the dutiful appreciative trapped recipient of my importunate largesse. She doesn’t want any of this, wants to run away, wants to go home to her friends, at least they like her, Wayne likes her….

We stomp along efficiently, towards nowhere in particular.

All right. We’ll shop.

I press my lips together. No words will pass them that’s for sure. No words to be misunderstood and misinterpreted and judged unworthy. Far be it from me. I’m finally and forever hunkered down. All right. This is what she wants. All right. So we’ll both just get old and gray just like this, driving each other crazy. All right. Isn’t this fun? OK. We’ll shop in silence. Fine.

“Do you want to go in here?” she asks. Indifferent.

“Whatever you like, Claire.”

I spy a beautiful lagoon-blue jacket, the precise color that sets off her eyes, her skin, her hair, the Banana Republic style she gushes over. I hold it up and signal across the room, “Hey—like this?”

Of course she doesn’t. She drags herself up from her own deep scrutiny of something important, distantly polite. Coldly examines my limp offering. “No. Thank you.”

I put the sweater back. Of course.

Much later….

“How ‘bout this one?” and even as I hold it up, I instantly regret having done so, instantly dread her condescension, her pained response to the very suggestion that I might select something appropriate for her. I actually have to strain to momentarily hold the sweater up for her bored inspection, almost duck behind it, longing to bury my indiscretion back under the clothes on the rack.

Claire dutifully glances in my direction accommodating my improbable, outrageous request once more for her attention, endures the wasted length of time necessary to coolly dismiss whatever implausible remnant I might hold in my hand.

Her eyes dilate.

She peers closely, sucks in her breath, whistles out through pursed lips.

“Yes. That is nice,” she exults, walking over, whisking the sweater away, hugging it, doing a little whirlwind dance in a circle around me. “It's perfect, Mom! Thank you!”

It’s so sad. It's so maddening. It’s such work, loving your mom, loving your daughter. It’s so hard.

 

Please send comments to epharmon@adelphia.net . Thank you!

 

 

 

 

“Eat Drink Man Woman” – Universal, Instructive, Thought-Provoking, Culturally Fascinating

One reason I watch foreign films is to broaden myself about the ways American films, families, and culture are different from those of other cultures. This movie was richly rewarding in that sense, as well as very enjoyable, and artistically very well-done.

 

“Eat Drink Man Woman” is a thoughtful drama about a Taiwanese master chef/widower with three marriageable daughters.

 

The many intertwined plots were surprising and satisfying, never pat. The disparate characters were each interesting and believable, and their choices turned out to be very true to their characters. I felt a sense of real people, distinct, unique, each with his/her own very human set of strengths and weaknesses, each making real, important choices; yet this movie left me with no sense at all of strings having been tidily or predictably tied up, or even ending. Instead, I felt that much had changed, much had stayed the same, and family life would go on, a bit differently. How like life….

 

It was interesting to see how each character isolated him (or her) self  from the others concerning their most important, major private struggles. It was also interesting to see how unique and true-to-character each was in his/her choice of personal struggles, and how differently, in terms of personal styles, each one went about pursuing his or her chosen quests–and finally, how OK all these varied paths felt.

 

This movie left me with so much respect for uniqueness, and with a renewed realization that there really are no universal answers that work for everyone, although there are some pretty good universal values.

 

For instance, one character’s personality was quite unconscious about herself and others, resistant and defensive, even to choices which later worked out to be just right for her. Yet she was always true to herself, and worked to surround herself with others who cared about her.

 

One character strove toward a difficult long-term commitment, taking step after careful step to overcome heavy obstacles to achieving that goal. Another character merrily flowed along in life, characteristically open, eager, honest, generous and thoughtless—and of course stumbled enthusiastically into his/her destiny.

 

An unusually talented individual with great integrity anguished over every small deliberate choice, making small, excellent, creative decisions among many options despite considerable adversity, opening many more new opportunities to yet more expansive sets of difficult choices. This individual subtly worked to balance all her choices for the good of everyone she cared about, herself very much included, miraculously without being obnoxious about any of it.

 

Each character in this movie, like every human being, came burdened with past mistakes, regrets, heartaches, disappointments and misunderstandings, which of course impacted their present feelings and choices.

 

I admired this family’s loyalty, and their mutual respect and support, all very evident in their efforts to be kind, helpful and courteous to one another and others, despite life's many challenges.

 

I was intrigued as well about the evident “Asian” diffidence concerning effusive affection. Americans are often more pal-ly (pal-ish?) and casual, which can be hurtful or helpful, depending perhaps upon sensitivity and luck? It also seemed “Asian” somehow that no one in this movie really knew much about what was going on in one another’s lives and thoughts—but then, do Americans ever really know very much either, despite how much we share about ourselves and how many questions we ask? Everyone in this particular family seemed to accept one another’s right to privacy (perhaps to a fault); evidently this is a mixed blessing, which Americans often share with equally mixed results. Just like in America, these characters avoided and deflected direct questions about the really important issues in their lives–yet everyone still did a lot of guessing and gossiping, with all the usual resultant confusions–because everyone’s assumptions are always way off. All of which made the movie that much more interesting and universal.

 

The many intricate plots were each compelling, moving, and beautifully acted, and each story was worth telling and well-told. Each story, as well as the story of the whole family (an interesting plot in itself) was allowed to develop naturally and richly over time, yet efficiently, with no extraneous detail.

 

Although each person was very private, sharing little of their personal lives with one another, and rarely consultative about decision-making, each announced important personal decisions which would affect the family courageously, honestly, and openly, even when such disclosures were sure to be upsetting or unwelcome. The family always seemed to surmount initial emotional reactions and eventually come around to respect, acceptance and support for the different choices and values of the others, with no attempts to change or manipulate one another.

 

I was also impressed, coming as I do from a culture of fast-food and fast-living, with how much time and excellence this family put into its mutual offerings of caring for each other, friends, colleagues, etc.

 

If you like beautiful cooking, you’ll like this movie.

 

I took away a strong sense that things tend to work out in families (if not in the exact ways each family member would want) when family members strive to uphold ideals and values of commitment, courtesy, acceptance, caring, and respect, despite conflicting personal values, personalities and choices, and often in the face of tragic, embarrassing, or unwanted outcomes. In this sense, this movie reminded me of a Japanese book I once read (and also enjoyed very much) called The Makioki Sisters.

 

I found it difficult to keep up with the many names and faces at first. But I enjoyed this movie so much that I watched it again, so as not to miss all the delicious, rewarding details, and was glad I did.

 

The filming was gorgeous, particular the details about food preparation. I particularly admired the acting of the father, and the middle sister, who was memorably beautiful and charming. I appreciated that “Eat Drink Man Woman” was exemplary of the “show me, don’t tell me” school of art.

 

A character in the movie made the comment that different families communicate in different ways: this family communicated—really, loved one another–through food. It made me remember how much my birth family loved one another through singing together.

 

I recommend this movie for anyone interested in a charming, artistic story about individuals in a close family facing many challenges, both together and apart, over time. I also picked up a lot of fascinating details about interesting cultural differences in Taiwan.

 

 

Please send comments to epharmon@adelphia.net .

 

 

 

 

 

A Way to Peace in the Middle East

Today’s bloody unity in Iraq can be maintained only by imposition of yet another inhumane, repressive KGB-type police state, backed by a huge, permanent, deadly U.S. occupation. It is in no one’s best interests to continue to force our own fallible western institutions upon historically self-identified “Kurds,” “Sunnis,” and “Shiites” fiercely loyal to their own unique sets of traditions, religious beliefs, and leadership, and committed to political self-determination and separatist destinies. Remember that it was foreigners who once arbitrarily invented “Iraq’s” national borders, and who cynically installed a vicious dictator (Saddam) to squish these three distinct groups together for our own imagined selfish interests.

 

After a century of violent outside interference, “Iraqis” justifiably don’t trust us, and don’t want us over there “helping” them—except as invited guests. Before we drain the last drop of lifeblood from our grandchildren and our economy, we can choose to back away from all militaristic regional leaders, and instead transfer our most generous financial, diplomatic and media support to non-violent, popular cultural representatives of each distinct ethnicity, who can then work cooperatively to minimize civil unrest and instability, and light the way toward mutual achievement of their own (equally fallible) highest priorities, ideals and solutions.

 

And yes, the United States will have to stand in line humbly to buy oil at market prices, just like every other nation.

 

Terrorism breeds wherever angry youths seeth under inflammatory external ruthless tyrannies. There is no violent “way” to peace and stability in the Middle East, or at home. Peace is the way.